2016: American Cinematographer Magazine: Super 8 Gets a Ticket to Hollywood
2015: Press Release: Pro8mm Adds New Data Scanner (2K, 4K, 5K)
2015: Pro8mm Launches 50th Anniversary Limited Edition of the Classic Pro
2014: White Paper: “Why Scan in Data 2K”
2013: A&E TV: Pro8mm on Storage Wars! The PA Stays in the Picture
2013: Pro814 Super 8 Camera Light Meter Battery Modification
2013: Celebrating 20 Years of Color Negative with the Super 8 Film Kit
2013: And the Oscar Goes To: Super 8 Film (Argo Wins Best Picture)
2012: Pro8mm Launches Weekly Podcast: The Home Movie Legacy Project
2012: Cine 8-16: Pro8mm Rhonda Cam Release
2012: Cinescopophilia: The Rhonda Cam: A Trendy Super 8 Camera from Pro8mm
2012: Urban Outfitter Inc Releases Pro8mm’s Rhonda CAM
2012: The Super 8 Film Summit, October 19-21, 2012
2012: Got Sound? Audio Encoding System Upgraded on M2
2012: M2 Upgrade Announced! Now Offering Image Stabilization
2011: John Mellencamp Official Website: P3 Update, On Tour with John Mellencamp
2011: Film Cast Live! Super 8 is Alive and Well
2011: Time Magazine: “Super 8 Isn’t Dead, It’s Just Been Resting”
2010: FujiFilm On the Inside: Sponsors Power of Super 8 Bootcamp
2008: Pro8mm Keeping the Format Current
2008: Schmal Film Magazine “Whats Going on in Burbank”
2008: Super8 Today “Taking Super 8 to Hi-Def”
2008: Super8 Today “Making the Grade: Taking the Pro814 on a test drive”
2007: Small Format Magazine “Super 8 Commercials”
2007: Pro8mm Expands Camera Repair Department
2007: American Cinematographer: Production Slate, Factory Girl
2006: Pro8mm Adds 3rd Telecine Suite, New Y Front Ursa Diamond
2006: WEVA Members “Shooting in Widescreen Super 8”
2006: Schmal Film Magazine “Return of A Legend- The Beaulieu 4008
2006: Super 8 Today: Super 8 and Factory Girl
2005: MAX 8: The New widescreen Super 8 Format
2005: Indie Slate Magazine: “Pro8mm’s Max 8 Widescreen Format makes Super 8 negative film HD and Widescreen-compatible”
2005: Independent Film.com: “Pro8mm demonstrates their “Max-8” Super 8 Camera“
2003: Movie Maker Magazine: “The Sexiest Format on the Planet”
2003: ProGear: Pro8mm Releases Classic 16mm Camera
2001: The Classic Professional: The Highly Evolved Super 8 Camera from Pro8mm
2001: Production Slate: Super 8 On the Big Screen
2001: Pro8mm 16mm Processing and Telecine Expansion
Super 8 Today “Lab at Pro8mm”
2001: The First Anniversary of Pro8mm London Office
2000: Guerrilla Filmmaker: Shooting Super 8
1997: Kodak: New Films Spark Super 8 Rennaissance
1996: Custom Rank Transfer Suite Exclusively For Super 8 Film
1996: American Cinematographer “Transforming Super 8”
1993: The Mag IV Our Most Sophisticated Recorder
1992: Film & Video Magazine: Super 8 Sound Creates New Line of Super 8 Film Stock
1992: Alternative Cinema Magazine: Great 8
1991: Production News: Low-Budget Feature Producers Look at Super 8
1991: Millimeter: Robert Tapert & Sam Rami, ‘Darkman’
1990: Super 8 Sound News: Acquires Precision Camera
1990: Film & Video: Director Joel Schumacher and his Crew Create Visions of Life After Death (Flatliners)
1990: Is Super 8 Dead? (Flatliner’s)
1990: American Cinematographer: Biggest Little Surf Film
1989: American Cinematographer: Big Productions, Small Format
1986: Realities of Low Budget Production (First professional job done with Super 8 Sound)
1986: The Independent Producer’s Guide to Super 8 (part 1), (part 2)
1975: Original Super 8 Sound Catalog
1975: American Cinematographer Professional Super 8
1974: At Last Super 8 Sound Fit for a Pro
1972-1986: DVGTV: A History of Super 8 Sound
1969: American Cinematographer State of the Art Super 8